A Short Summary of the Essay "On Not Answering the Telephone" by William Plomer
On Not Answering the Telephone by William Plomer
About the Author:
Summary of the Essay:
The present essay is a talk given by William Plomer on BBC. In the talk, he discusses the discovery of the telephone in a comic way. He thinks that sometimes gadgets like telephone are more of a burden than a boon. He makes some real observations about mechanical devices and their users.
The writer shares his
experience with mechanical devices like the telephone, the typewriter and the
car. The writer does not use a telephone because he does not like the
telephone. He thinks that he can work, play, eat, breathe and sleep without
telephone. He thinks that telephone is a pest and a time waster. It creates
unnecessary suspense and anxiety when we wait for an unexpected call that does
not come. It also irritates us when we dial a number and the number is always
engaged. We use telephone when we are in hurry. When people use public
telephone which is kept in the box, they feel suffocated by stale and
unventilated air which has smell of cheap face powder and smoke of cigarettes. When
you are speaking from the public telephone, there is a long queue of people
standing behind you outside the box and you feel very awkward.
Many people are not
strong enough to ignore the call. Though they are busy having a meal or a
conversation or bath, they rush to answer the call. They think that it is an
important and urgent call but many times they are told that it is a wrong
number. According to the author, all telephone numbers are wrong numbers. The
writer thinks that if you do not answer the call and if the message is really
important, it will reach you sooner or a latter. We must always remember that
news travels fast and the truth will come out.
The writer also speaks
about very strange experience of English people when they speak to a stranger
on a telephone; the thing which they will never do in public. The writer calls
telephone directory a book with large circulation and a successful one and reprinted
many times and which is more famous than Shakespeare or the Bible. The writer
thinks that any stranger, bore, intruder or criminal can engage you in a
conversation which will disturb your privacy. In some cases, some reporter may
take confidential information from you and may do harm to your friends or
family. It all happens because your name and telephone number is available in
the telephone directory.
Some people think that
a telephone is necessary in an emergency like illness, accident or fire. The
writer comments that in a thickly populated country like England there is no
necessity of telephone even in case of emergency. a well-known actor expresses
his wish to live on a lonely island where he would take telephone with him and
would push the wire into the sand; so that he does not have to answer any call.
People react in
different ways when the writer says that he does not use telephone. Some are
surprised and some think it an eccentric act. The writer regards himself as a
quiet and conventional type of character
The writer does not
even use a typewriter. As a writer, the typewriter is necessary for him but he
does not use it. When he was young, he thought a typewriter as necessary thing
because the editors and publishers expect everything sent to them to be
typewritten. So, he bought a typewriter and learnt to type and for some years
he typed. But he did not enjoy typing. The writer likes the act of writing. He
never could enjoy tapping the keys of a typewriter. He also does not like a
bell of a typewriter. The writer is not a mechanical minded person. He has
never drawn to machines. He does not like oiling, cleaning or repairing them. He
does not enjoy making machines powerless. He does not get any sense of power by
controlling them and even machines do not like him. They break down, get jammed,
catch fire or blow up when the writer touches them.
In the last part of the
essay, the writer shares his experiences of using a car. He got his driving license
in South Africa at the age of 17. He learnt to drive in the rush hours in the
city of Johannesburg. He needed the car for his work purpose and there was no
traffic in the part of Africa where he drove the car. The driving process
became automatic for him and his only idea was to go from one place to the
other. He drove very fast and within a week or two the speedometer was broken. He
did not repair it. He was a good driver. He did not lose control of car even on
Rocky or Sandy roads. He did not kill or injure anybody but he was bored and if
situation allowed, he would have preferred to walk. When there are many rules
and regulations of driving, he is not interested to drive a car.
The writer is aware
that he is living in machine age. He is not trying to put the clock back. He
does not consider himself as an escapist, a crank or a simple lifer. He thinks
it as a matter of preference not of principle. He tries to live his life as far
as possible without using a telephone a typewriter and a car. He uses public
modes of transportation like trains, taxis or planes. He uses lifts instead of
walking upstairs. He uses moving staircases instead of unmoving ones. He does
not intend to be dominated by machines. He does not want to oil them, repair
them or clean them. He does not want to feed the typewriter with papers. He
does not want to lose the use of his legs by travelling always by a car or to
be called with or without warning by the telephone.
According to him English boast of two things; one is mechanical invention, the other is literature. He calls himself a literary writer who uses words. At the end, he says that he must stop now using words because somebody is asking for him on the telephone and he has to answer it because it may be an important call.
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